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Will be coming to Toonami, the Saturday night programming block for Adult Swim, on Dec. 8 and will include a brand new English dub created specifically for this airing.
The anime, which debuted as a part of 2018’s spring anime season, quickly became one of the year’s most popular shows. The series started as a special commemorative project to celebrate the 50th anniversary of
Yi Ren Zhi Xia 2 (hitori No Shita
Takes the original’s basic premise and characters and transfers them from their setting in late 1960s Japan to a future dystopia. The series follows a boxer who calls himself Junk Dog — but later goes by Joe — who fights in MEGALOBOX matches using special exo suits that make the competition more exciting and more dangerous. As with most boxing series, the story follows Junk Dog as he rises through the ranks of the boxing world in hopes of taking on a rival who sits at the top of the standings, but it isn’t the story that made
Apart from other shows that have debuted in recent years is its animation. While it’s story may come from the ‘60s, the animation seems to come directly from the popular anime of the 1990s, taking it’s cues from shows like
. The hand drawn style and purposefully lower resolution gives the show’s dystopia a dusty, lived in, western vibe that’s completely different from almost anything else in anime over the last decade.
Released Anime / Page 24
Originally ran 13 total episodes which were simulcast on Crunchyroll. While the story of the series is wrapped up in those episodes, there is a possibility for a sequel, though nothing has been announced yet.To be quiet and do as you're told, that's the cowardly choice. These are the words of Junk Dog, an underground fighter of Megalo Box, an evolution of boxing that utilizes mechanical limbs known as Gear to enhance the speed and power of its users. Despite the young man's brimming potential as a boxer, the illegal nature of his participation forces him to make a living off of throwing matches as dictated by his boss Gansaku Nanbu. However, this all changes when the Megalo Box champion Yuuri enters his shabby ring under the guise of just another challenger. Taken out in a single round, Junk Dog is left with a challenge: If you're serious about fighting me again, then fight your way up to me and my ring.
Filled with overwhelming excitement and backed by the criminal syndicate responsible for his thrown matches, Junk Dog enters Megalonia: a world-spanning tournament that will decide the strongest Megalo Boxer of them all. Having no name of his own, he takes on the moniker of Joe as he begins his climb from the very bottom of the ranked list of fighters. With only three months left to qualify, Joe must face off against opponents the likes of which he has never fought in order to meet the challenge of his rival.
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Jegeekjeplay: [geekritique] Pourquoi, Selon Moi, Il Faut Regarder L'animé Megalo Box
Art, in its purest form, is a catharsis of imperceptible cognitive entities onto a “canvas” for the purposes of provoking reactions from others. Sometimes that reaction involves laughter, other times it is sorrow, and on rare occasions, profound enlightenment, in either case, it is the responsibility of the artist(s) to determine the desired reaction, and how best to achieve it through their intended medium. As one would expect, it permits a copious amount of creativity to take place, yielding unexpected outcomes that one would rarely see in the real world. Antithetical to this branch of human intrigue, is the world of binary ... results and conventional outcomes, otherwise known as: sports. That is not to say that all sporting events are replicas of past events, but in the grand scheme, one team will lose, and one team will win — end of story. As is the case with a boxing match, one boxer will lose, and the other, by default, will win (I understand there can be split decisions, but for the sake of argument, bare with me). In case I am mistaken, one cannot win at art, as it has no predetermined result. Ergo, making the mixture of the two (art and sport) quite the peculiar one. One demands openness and originality, while the other requires an outcome. Not to say that it cannot be done, as the predecessor of this series, “Ashita no Joe” proved otherwise. Yet, fans of the original series will be quick to point out, that while it was a “boxing anime, ” it was so much more. In a numerous amount of ways, the original “Joe” is akin to Ping Pong The Animation — a character driven narrative — as opposed to your typical sports anime. Breaking free from the restrictions of defined outcomes and crafting something truly imaginative. That all being said, how does this new iteration of “Joe stack up on the hierarchy of sports anime? Story: 4/10 I’m going to discuss the story first, mainly because I feel there is one glaring detail that demands acknowledgement before pressing forward. I am referring to the “Gear” (i.e. mechanical limbs) the boxers use to inflict blood-stained carnage on their respective opponents. The concept, in theory, sounds interesting, but when one considers the ramifications, especially with the proliferation of CTE in athletes, it’s a horrifying notion. Imagine if “Iron” Mike Tyson were equipped with this Gear in his prime, he would straight up murder people with one punch (cue the One Punch Man theme music). In all seriousness, weaponizing the instrument of pain with highly sophisticated machinery, without providing protective barriers for the combatants is just ludicrous and a colossal oversight on the writer’s part. I understand the rationale behind the decision, as it pertains to my original statement regarding originality, or lack thereof, in sports. But, this innovative nuance is just a cosmetic flourish that adds little to nothing towards the overall plot. Which is a shame. Because there are numerous routes the anime staff could have taken this idea, that would have elevated this anime into something worth remembering. Perhaps, for example, they could have used the technology to profit from unnecessary conflicts and war, propagating political tensions and the fears of an overreaching quasi-government (this was sort of hinted at, but never really explored with any specific detail). Boxing would have still been the main focus, but underneath, you would have an interesting perspective about the dangers of proliferating technology. Instead, what we are left with, is a brother and sister competing for control over their father’s legacy. Then, much to the chagrin of the viewer, Yuuri decides to expel his integrated “gear” for the final match, making the entire concept an irrelevant element in a story that — desperately — needed vitality to successfully engage the viewer. As the saying goes: haste makes waste. The “gear” was the waste; therefore, invariably, the production must have been made in haste. The remainder of the story is your ordinary sports anime framework, by which I mean: a tournament. Somewhat unavoidable, given the format of the show, but do we really need to see Joe get knocked down for a ten count, only to rise to his feet at the count of nine, in every single fight? Watch boxing clips on YouTube and you will see for yourself that this sort of thing rarely happens. Characters: 5/10 Joe, as they refer to him in the series, is reminiscent of a stray dog: he’s tough, gritty, aggressive, and has nothing to lose. Another characteristic of stray dogs is fear, an emotion that is briefly touched upon in Joe’s first fight (his first fight in the tournament, that is), but is never revisited later in the series. I would have liked to see this affliction be a recurring issue for Joe, a malignant hindrance that would have required significant mental effort to overcome his anxieties, potentially derailing his short-term goal of reaching Megalonia. Unfortunately, the series allows Joe to conquer this obstacle relatively early, diminishing much of the intrigue in his plight towards the top. In this sense, the story quickly dissolves from being an in depth character drama, and into a simple revenge story. The reflection of emulating the original “Joe” proved too arduous for “Megalo-Joe” to achieve, disappointing fans of the original series who were looking for a show that retained its predecessor’s desirable traits. Gansaku Nanbu, Joe’s manager, is your prototypical boxing coach: tough exterior, but has a sense of honor and virtue. His actions are fairly predictable, and while they attempt to portray him as an indifferent character, we all know he will stand in
Art, in its purest form, is a catharsis of imperceptible cognitive entities onto a “canvas” for the purposes of provoking reactions from others. Sometimes that reaction involves laughter, other times it is sorrow, and on rare occasions, profound enlightenment, in either case, it is the responsibility of the artist(s) to determine the desired reaction, and how best to achieve it through their intended medium. As one would expect, it permits a copious amount of creativity to take place, yielding unexpected outcomes that one would rarely see in the real world. Antithetical to this branch of human intrigue, is the world of binary ... results and conventional outcomes, otherwise known as: sports. That is not to say that all sporting events are replicas of past events, but in the grand scheme, one team will lose, and one team will win — end of story. As is the case with a boxing match, one boxer will lose, and the other, by default, will win (I understand there can be split decisions, but for the sake of argument, bare with me). In case I am mistaken, one cannot win at art, as it has no predetermined result. Ergo, making the mixture of the two (art and sport) quite the peculiar one. One demands openness and originality, while the other requires an outcome. Not to say that it cannot be done, as the predecessor of this series, “Ashita no Joe” proved otherwise. Yet, fans of the original series will be quick to point out, that while it was a “boxing anime, ” it was so much more. In a numerous amount of ways, the original “Joe” is akin to Ping Pong The Animation — a character driven narrative — as opposed to your typical sports anime. Breaking free from the restrictions of defined outcomes and crafting something truly imaginative. That all being said, how does this new iteration of “Joe stack up on the hierarchy of sports anime? Story: 4/10 I’m going to discuss the story first, mainly because I feel there is one glaring detail that demands acknowledgement before pressing forward. I am referring to the “Gear” (i.e. mechanical limbs) the boxers use to inflict blood-stained carnage on their respective opponents. The concept, in theory, sounds interesting, but when one considers the ramifications, especially with the proliferation of CTE in athletes, it’s a horrifying notion. Imagine if “Iron” Mike Tyson were equipped with this Gear in his prime, he would straight up murder people with one punch (cue the One Punch Man theme music). In all seriousness, weaponizing the instrument of pain with highly sophisticated machinery, without providing protective barriers for the combatants is just ludicrous and a colossal oversight on the writer’s part. I understand the rationale behind the decision, as it pertains to my original statement regarding originality, or lack thereof, in sports. But, this innovative nuance is just a cosmetic flourish that adds little to nothing towards the overall plot. Which is a shame. Because there are numerous routes the anime staff could have taken this idea, that would have elevated this anime into something worth remembering. Perhaps, for example, they could have used the technology to profit from unnecessary conflicts and war, propagating political tensions and the fears of an overreaching quasi-government (this was sort of hinted at, but never really explored with any specific detail). Boxing would have still been the main focus, but underneath, you would have an interesting perspective about the dangers of proliferating technology. Instead, what we are left with, is a brother and sister competing for control over their father’s legacy. Then, much to the chagrin of the viewer, Yuuri decides to expel his integrated “gear” for the final match, making the entire concept an irrelevant element in a story that — desperately — needed vitality to successfully engage the viewer. As the saying goes: haste makes waste. The “gear” was the waste; therefore, invariably, the production must have been made in haste. The remainder of the story is your ordinary sports anime framework, by which I mean: a tournament. Somewhat unavoidable, given the format of the show, but do we really need to see Joe get knocked down for a ten count, only to rise to his feet at the count of nine, in every single fight? Watch boxing clips on YouTube and you will see for yourself that this sort of thing rarely happens. Characters: 5/10 Joe, as they refer to him in the series, is reminiscent of a stray dog: he’s tough, gritty, aggressive, and has nothing to lose. Another characteristic of stray dogs is fear, an emotion that is briefly touched upon in Joe’s first fight (his first fight in the tournament, that is), but is never revisited later in the series. I would have liked to see this affliction be a recurring issue for Joe, a malignant hindrance that would have required significant mental effort to overcome his anxieties, potentially derailing his short-term goal of reaching Megalonia. Unfortunately, the series allows Joe to conquer this obstacle relatively early, diminishing much of the intrigue in his plight towards the top. In this sense, the story quickly dissolves from being an in depth character drama, and into a simple revenge story. The reflection of emulating the original “Joe” proved too arduous for “Megalo-Joe” to achieve, disappointing fans of the original series who were looking for a show that retained its predecessor’s desirable traits. Gansaku Nanbu, Joe’s manager, is your prototypical boxing coach: tough exterior, but has a sense of honor and virtue. His actions are fairly predictable, and while they attempt to portray him as an indifferent character, we all know he will stand in
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